Kent Nagano in Berlin (April 2023)

On Saturday, April 8, 2023, Kent Nagano returns to Berlin to present a special program, matching the Easter days, with the Deutsches Symphonie-Orchester and the Audi Jugendchorakademie.

The concert will be broadcast live at 8:03 p.m. on Deutschlandfunk Kultur: https://www.deutschlandfunkkultur.de/konzert-100.html

Program

Johannes Brahms: ‘Ein deutsches Requiem’ for soli, choir and orchestra (Bremen version)

Reconstruction of the version Brahms put together for the Bremen performance on April 10, 1868 – still without the fifth movement, but with inserted movements by Bach, Handel, Tartini and Schumann.

Deutsches Symphonie-Orchester Berlin, Kent Nagano
Audi Youth Choir Academy
Martin Steidler – choral conducting

Rachael Wilson – mezzo-soprano
Konstantin Krimmel – baritone
Marina Grauman – violin
Jakub Sawicki – organ

Pittsburgh Symphony Orchestra’s PERSIST (April 2023)

Disrupt, PSO’s brand-new music event series, kicks off April 15 with Persist, an evening of Shostakovich and his dramatic Symphony No. 10, combining classical music with interactive pre-concert activities, themed cocktails, visual projections, and backstage glimpses. More information here.

Live stream of Omer Meir Wellber’s concert in Stockholm (March 2023)

Today’s concert with Omer Meir Wellber and the Swedish Radio Symphony Orchestra will be broadcasted live at 7:00 pm CET on Berwaldhallen Play and in the Swedish Radio.

The special program combines contemporary pieces from Ella Milch-Sheriff (The Eternal Stranger) and Anders Hillborg (Viola Concerto) with Beethovens Symphony No. 5 and the ouverture from his music to Goethe’s tragedy Egmont.

31 March – Stockholm, Berwaldhallen
The Swedish Radio Symphony Orchestra, Omer Meir Wellber
Beethoven: Egmont, overture
Anders Hillborg: Concerto for viola
Lawrence Power – viola
Ella Milch-Sheriff: The Eternal Stranger
Eli Danker – narrator
Beethoven: Symphony No. 5

Piano en famille (March 2023)

Together with Mari Kodama, Momo Kodama and Karin Nagano, Kent Nagano presented a special program in Geneva, including Mozart’s Piano Concerto for Three Pianos and Poulenc’s Piano Concerto for Two Pianos, with the Orchestre de la Suisse Romande. In April, Mari Kodama travels to the US for concerts with the Charlotte Symphony Orchestra conducted by Lan Shui: the program includes Mendelssohn’s 1st Piano Concerto.

The young recorder player and allround musician Max Volbers (March 2023)

The young recorder player and allround musician Max Volbers will be playing in a wide variety of constellations in the coming weeks. This Sunday he will play a program entitled “Comprovisations” in Kleve as recorder player together with the lutenist David Bergmüller and in early April as harpsichordist at the Festival de Paques in Aix-en-Provence together with the recorder player Lucie Horsch.

26 March – Kleve, Museum Kurhaus
Max Volbers – recorder
David Bergmüller – lute
“Comprovisations”  

3 April – Aix-en-Provence, Festival de Pâques
Max Volbers – harpsichord
Lucie Horsch – recorder
“Conversations”

The Dresden Music Festival launches an artistic and academic Wagner Project with the Dresden Festival Orchestra and Concerto Köln (March 2023)

As part of a comprehensive artistic and academic project, the Dresden Music Festival will explore the original sound of Richard Wagner, starting in 2023. The project’s mission is to present an annual concert performance of one part of Richard Wagner’s opera tetralogy »Der Ring des Nibelungen« by the Dresden Festival Orchestra and Concerto Köln under the baton of Kent Nagano, using historical instruments and the linguistic style of the time of its creation. The performance of Richard Wagner’s »Das Rheingold« at Dresden’s Kulturpalast on June 14, 2023 marks the project’s official launch.
The project under the artistic leadership of Festival Intendant Jan Vogler and conductor Kent Nagano will bring together Wagner experts and performers from all over the world in Dresden.

»The Dresden Music Festival is proud to deliver new impulses from Dresden to the world with this visionary project. I am sure that this new ›Ring‹ from Dresden and the musicological research involved will have a lasting influence on the reception and interpretation of Wagner’s music,« says Jan Vogler, Intendant of the Dresden Music Festival.

»From the instruments to vocal style and the general treatment of words – much of what we experience today during typical Wagner performances differs from the customs at Wagner’s time. We look forward to delving into the fascinating musical world of the 19th century together with our audience, which also includes asking critical questions that are necessary when it comes to a person such as Wagner,« says Kent Nagano, Artistic Director of the Wagner Project and Conductor Laureate of Concerto Köln.

The »Rheingold« premiere on June 14 will be accompanied by a comprehensive Wagner program. Under the leadership of the project’s academic curator PD Dr. Kai Müller, musicians from both orchestras will offer a workshop concert on the evening before the premiere, illustrating academic aspects of historical performance practice with musical examples. On the day of the premiere, the Kulturpalast will host an exhibition with several stations on Wagner’s oeuvre, short lectures in the foyer and a Wagner Café, from 12 noon onwards.

Cast of »Das Rheingold« on June 14, 2023 in Dresden:
Derek Welton (Wotan)
Dominik Köninger (Donner)
Mauro Peter (Loge)
Tansel Akzeybek (Froh)
Katrin Wundsam (Fricka)
Nadja Mchantaf (Freia)
Gerhild Romberger (Erda)
Daniel Schmutzhard (Alberich)
Thomas Ebenstein (Mime)
Tijl Faveyts (Fasolt)
Tilmann Rönnebeck (Fafner)
Ania Vegry (Woglinde)
Ida Aldrian (Wellgunde)
Eva Vogel (Floßhilde)

New CD by Jan Vogler released on Sony (February 2023)

Cellist Jan Vogler’s new recording for Sony Classical features the world premiere recording of Enrique Casals’ Concerto for Cello and Orchestra in F major and also includes Edouard Lalo’s Concerto for Cello and Orchestra in D minor – together with the Moritzburg Festival Orchestra, the CD commemorates the 200th anniversary of Édouard Lalo’s birth and is also a tribute to Pablo Casals, who became world famous as a cellist and is also the brother of Enrique Casals, on the occasion of the 50th anniversary of his death.

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Omer Meir Wellber will become General Music Director of the Philharmonic State Orchestra Hamburg and General Music Director and Chief Conductor of the Hamburg State Opera (February 2023)

Hamburg, 24 February 2023 – Omer Meir Wellber will become Hamburg General Music Director of the Philharmonic State Orchestra as well as General Music Director and Chief Conductor of the Hamburg State Opera as of the 2025/2026 season.

The press release of the Hamburg Ministry of Culture and Media can be here.

Festival Présences 2023 with Kent Nagano on ARTE (February 2023)

ORCHESTRE PHILHARMONIQUE DE RADIO FRANCE
KENT NAGANO

LEONIDAS KAVAKOS violin
JEAN-FRÉDÉRIC NEUBURGER piano
WILHEM LATCHOUMIA piano
LUCILE DOLLAT Organ
Soloists of the CHŒUR DE RADIO FRANCE

 

Johann Sebastian Bach/Thomas Lacôte: Six-part Ricercar (orchestral version by Thomas Lacôte – commissioned by Radio France, world premiere)
Unsuk Chin: 2nd Violin Concerto “Shards of Silence” (French premiere)
Johann Sebastian Bach: The righteous man perishes
Yann Robin: Requiem Æternam – Monumenta II pour deux pianos, orgue, chœur et orchestre (commissioned by Radio France – world premiere)

Kent Nagano conducts premiere in Hamburg (January 2023)

On 22 January, Kent Nagano conducts the premiere of Shostakovich’s Lady Macbeth of Mtsensk in a production by Angelina Nikonova. The story of the opera is based correspondent tale by Nikolaj Leskow. Other performances are 25, 28 and 31 January, and 4 and 8 February. More information can be found here.

“A woman becomes a murderess, but still the 26-year-old composer Shostakovich has sympathy for her. Katerina Ismailova – killer and victim at the same time – frees herself from a business world full of dullness, greed and cruelty by poisoning her Father-in-law in order to be able to live with her lover. This is accompanied by music of radical vitality that vehemently expresses the right to one’s own desire, to recklessly lived freedom. The international success from Leningrad to New York, from Stockholm to Zurich was abruptly ended when Stalin expressed his disapproval. Lady Macbeth of Mtsensk also became a work of fate for the composer.” (Hamburg State Opera, 2023)

Musical direction: Kent Nagano
Production: Angelina Nikonova
Stage and costumes: Varvara Timofeeva
Lighting: Igor Fomin
Dramaturgy: Ralf Waldschmidt
Choir: Eberhard Friedrich

 

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