The new YouTube channel of the Richard Wagner Academy of the Dresden Music Festival (Oktober 2025)

The Richard Wagner Academy (RWA) of the Dresden Music Festival is pursuing its desire to continue the work of “The Wagner Cycles.” The ambitious goal of the project is the systematic reconstruction of Richard Wagner’s “Der Ring des Nibelungen” from the perspective and using the methods of historical performance practice. This field of work has given rise to workshops, publications, and much more, enabling the transfer of knowledge from musicology to practice. In the future, these offerings will also be made available to young musicians and the interested public.

Thematically sorted short videos and YouTube Shorts are intended to make the artistic and scientific processes even more visible – and to take all participants and interested parties on a journey with exclusive insights, rehearsal glimpses, concert impressions, and sound samples. Find the channel here.

Kent Nagano conducts Wagner’s “Siegfried” as the third opera in “The Wagner Cycles” at the Lucerne Festival (September 2025)

On September 12, Kent Nagano presents Richard Wagner’s “Siegfried” together with the Dresden Festival Orchestra and Concerto Köln as part of “The Wagner Cycles” project.

What began in 2023 with a concert performance of “Rheingold,” continued in 2024 with “Die Walküre,” and now goes on with the development of “Siegfried,” can be considered a benchmark for Wagner interpretation. The Wagner Cycles project is dedicated to Richard Wagner’s monumental opera tetralogy in a unique combination of theoretical and practical approaches.

Max Volbers at the Gewandhaus Leipzig (October 2025)

On October 4, 2025, Max Volbers performs at the Gewandhaus Leipzig together with the new Bach Collegium Musicum under the direction of Reinhard Goebel. Works by Heinrich Ignaz Franz Bieber, Johann Sebastian Bach, Georg Philipp Telemann, and Johann Friedrich Fasch will be performed in the Mendelssohn Hall that evening.

Max Volbers and Reinhard Goebel have already collaborated on numerous projects, such as the performance of the Brandenburg Concertos at the 2019 Verbier Festival.

Midori wins Cremona Music Award and Casals Prize (September/ October 2025)

Midori received the Cremona Music Award on September 26, and on October 5 she will be honored with the Casals Prize during a concert with the Frankfurt Radio Symphony in Kronberg.

The Cremona Musica Awards are being presented during the annual Cremona Musica Exhibitions and Festival to individuals and institutions from the music world who have achieved outstanding accomplishments in their field. The awards are divided into categories and include composition, performance, projects, and communication, among others.

The Casals Prize is intended to support and encourage artists to follow the example of Pablo Casals and thereby inspire future generations as role models.

Festival “Drei Tage wach” – Omer Meir Wellber opens his first season as Hamburg’s General Music Director (September 2025)

From September 26 to 28, the Hamburg State Opera hosted the festival “Drei Tage wach,” with which Omer Meir Wellber as the new General Music Director and Tobias Kratzer as the new Artistic Director opened their first season.

The festival began on Friday with the Housewarming Concert, which covered all possible genres and eras.

On Saturday, under the motto “What opera can do,” Wellber and Kratzer’s first joint opera production followed—Robert Schumann’s opera “Das Paradies und die Peri” (Paradise and the Peri).

On the third day, “Generation Future,” the premiere of the children’s opera “Die Gänsemagd” (The Goose Girl) followed, as well as a presentation by the Hamburg Ballet.

Max Volbers’ new Album “Bach vs. Scheibe“ (September 2025)

On September 5, Berlin Classics released Max Volbers’ latest album, “Bach vs. Scheibe,” featuring Concerto Köln and soprano Marie-Sophie Pollak, for which he is the artistic director.

In the album, the orchestra takes up a dispute that started in 1737 between Danish music critic Johann Adolf Scheibe and none other than Johann Sebastian Bach. In his magazine “Der Critische Musicus,” Scheibe called Bach’s compositions “confused and pompous.” Bach’s response was not long in coming, and so a dispute ensued that lasted for years.

Thus, this album not only contains the music of two contemporaries, but also shows the transition from the High Baroque to the Classical period and is an expression of an aesthetic generational conflict.

Kent Nagano conducts Wagner’s “Siegfried” as the third opera in “The Wagner Cycles” at the Lucerne Festival (September 2025)

On September 12, Kent Nagano presents Richard Wagner’s “Siegfried” together with the Dresden Festival Orchestra and Concerto Köln as part of “The Wagner Cycles” project.

What began in 2023 with a concert performance of “Rheingold,” continued in 2024 with “Die Walküre,” and now goes on with the development of “Siegfried,” can be considered a benchmark for Wagner interpretation. The Wagner Cycles project is dedicated to Richard Wagner’s monumental opera tetralogy in a unique combination of theoretical and practical approaches.

New Transatlantic Music Project “Beyond the Atlantic” (September 2025)

The project Beyond the Atlantic, launched under the auspices of the Goethe-Institut Boston, aims to revitalize cultural dialogue between Europe and the United States in the field of contemporary concert music. The series brings together members of the Berlin Philharmonic and the Ecce Ensemble for discussions, workshops, and concerts focusing on aesthetic, political, and ecological issues. (beyondtheatlantic.org)

Swiss composer and conductor David Philip Hefti is one of the project’s co-founders and will take the podium at the closing concert on October 24, 2025 in Boston, by invitation of the Goethe-Institut. Performing under his direction will be members of the Berlin Philharmonic and the Ecce Ensemble. The program features the world premiere of Hefti’s new work Beyond Ashes alongside compositions by John Aylward, Martin Brody, Yu-Hui Chang, Isabel Mundry, and Karlheinz Stockhausen.

Beyond Ashes adopts the instrumentation of Schubert’s famous Trout Quintet—violin, viola, cello, double bass, and piano—yet Schubert’s music remains only as a distant echo. The piece unfolds from quiet, floating textures through an eruptive central section and ultimately into a final song-like farewell that dissolves into silence. Its title points beyond a purely narrative meaning: Beyond Ashes suggests not simply what follows destruction, but a transcendental space—an “elsewhere” beyond ashes and transience. With its combination of international collaboration, artistic depth, and new creation, Beyond the Atlantic promises to be an exciting contribution to today’s classical music scene—demonstrating how bridges between continents can be newly forged through music.

Omer Meir Wellber takes up his role as the new General Music Director in Hamburg (September 2025)

Hamburg’s new General Music Director, Omer Meir Wellber, begins his 5-year tenure this coming Sunday, opening the 25/26 operatic and symphonic season with the first Philharmonic Concert of the Philharmonic State Orchestra on 14 and 15 September at the Elbphilharmonie. The season’s programmes focus on a very special kind of dialogue between the present and the past under the motto “no risk, no fun”.

 

Pianist Stephen Hough will play Beethoven’s Third Piano Concerto – with a newly composed second movement by Hough himself  – followed by Bruckner’s 7th symphony. This unusual idea of “over-writing” single movements will be repeated in all concerts this season by international composers – have a look here at the concert programmes this season.

 

You can listen to the concert from 15 September on NDR Kultur.

Two weeks later, the Hamburg State Opera’s opening weekend takes place featuring the Housewarming Concert (26 September) and the new staged production of Schumann’s Das Paradies und die Peri (September 27), conducted by Omer Meir Wellber and directed by Tobias Kratzer.


Upcoming concerts with Omer Meir Wellber in Hamburg:
14, 15 September     Hamburg, Elbphilharmonie
Beethoven: Klavierkonzert Nr.3 c-Moll op. 37
Stephen Hough: 2. Satz Beethoven Klavierkonzert
Anton Bruckner: Sinfonie Nr. 7 E-Dur
Stephen Hough, piano

27 September     Hamburg, Staatsoper                    premiere

Schumann: Das Paradies und die Peri
Further performances on 30.09., 3., 11., 14., 24.10., 1.11.

5 October    Hamburg, Staatsoper
Strauss: Salome
Weitere Aufführungen am 7., 9., 12.10.
10, 30 October     Hamburg, Staatsoper’
Mozart: Così fan tutte

8 October     Blaue Woche, Hamburg

Boulez, Marteau sans maitre
Lotte Betts-Dean, Mezzosopran

12, 13 October     Hamburg, Elbphilharmonie
Vivaldi/Piazzolla: The mandolin seasons
Respighi: Metamorphosen

Jacob Reuven, mandolin

Midori with Christoph Eschenbach at the Elbphilharmonie (August 2025)

International violin star Midori will perform Mendelssohn’s Violin Concerto with the SHMF Festival Orchestra conducted by Christoph Eschenbach on August 17 in Sonderburg, Denmark, and on August 18 at the Elbphilharmonie in Hamburg.
Midori made her debut at the SHMF in 1986 at the age of 14 with three sonata recitals and has since thrilled audiences in almost 30 concerts at the festival. Her long-standing musical friendship with conductor Christoph Eschenbach, who celebrated his 85th birthday this year, lends a special quality to the two upcoming concerts.

 

More information on shmf.de

 

17. August    Sonderburg, Konzertsalen Alison, SHMF
18. August    Hamburg, Elbphilharmonie, SHMF
SHMF Festivalorchester, Christoph Eschenbach/Conductor
Mendelssohn: Violinkonzert

GDPR Cookie Consent with Real Cookie Banner