David Philip Hefti’s „con fuoco“ in a radio concert (March 2020)

David Philip Hefti’s piece “con fuoco” String Quartet No. 4 originally supposed to be performed by the Amiryllis Quartett in the 6th Raderbergkonzert 2019/2020 on 17 March in the Deutschlandfunk Kammermusiksaal. But now there is no need to be without it, as Deutschlandfunk will broadcast the entire concert on the radio.READ MORE

Japan premiere of David Philip Hefti’s “Changements” in Tokyo (January 2020) – unfortunately cancelled

David Philip Heftis Changements celebrates its premiere in Japan on February 28th. Under the baton of conductor Cornelius Meister, who is closely associated with the composer, the atmospheric images for orchestra will be heard at Suntory Hall in Tokyo from the Yomiuri Nippon Symphony Orchestra. The last time Cornelius Meister conducted the work was 2017 in Munich with the Bavarian State Orchestra.READ MORE

Performance of David Philip Hefti’s “Monumentum” near Munich (November 2019)

This coming weekend, David Philip Hefti’s Monumentum – music for string sextet will be performed by the Amaryllis Quartett and partners in concert near Munich, in Icking and Herrsching. The work was written in 2014 to a commission from the Moritzburg Festival, The Chamber Music Society of Lincoln Center New York and the Käthe Kollwitz House in Moritzburg. Here you can find further information on it.

Overview on the concerts:

23 November, 19.30 h – Icking, Rainer-Maria-Rilke-Gynmasium
Hefti: Monumentum – music for string sextet
Amaryllis Quartet, Barbara Buntrock – viola, Christoph Heesch – violoncello

24 November, 19.00 h – Herrsching, Haus der Bayerischen Landwirtschaft
s. 23 November

 

Swiss Premier of David Philip Hefti’s work “An durchsichtigen Fäden“ (October 2019)

On 29 October, the Amaryllis Quartett and Maria Riccarda Wesseling will play the Swiss premier of David Philip Hefti’s work An durchsichtigen Fäden – for mezzo soprano and string quartet to a poem by Kurt Aebli at the Oekolampad in Basel. The world premier of the work took place on 19 April 2018 in Lübeck, also performed by the Amaryllis Quartett and Maria Riccarda Wesseling. The work lasts about 30 minutes and is based on the poem “Endloser Anfang von allem” (“Endless beginning of everything”) by Kurt Aebli.
Before the concert, there will be an introduction with David Philip Hefti.

Overview on the concert:

29. Oktober, 19:30 – Basel, Oekolampad
Hefti: An durchsichtigen Fäden – for mezzo soprano and string quartet to a poem by Kurt Aebli
Maria Riccarda Wesseling – mezzo soprano, Amaryllis Quartet
further details on the concert

You can find further information on the work on David Philip Hefti’s website.

 

David Philip Hefti’s “Changements” at the George Enescu Festival (August 2019)

On Sunday, 1 September 2019, the Royal Camerata will present at the George Enescu festival in Bucharest a work by Davi Philip Hefti, winner of the festival’s 2005 George Enescu Competition: Changements – atmospheric pictures for orchestra.

Overview on the details of the concert:
1 September – Bukarest, Radio Hall – Enescu Festival
Royal Camerata, Constantin Adrian Grigore
Hefti: Changements – atmospheric pictures for orchestra
et al.

Here you can find further information on the concert and here on the work by David Philip Hefti.

David Philip Hefti’s “Media nox” at the ARD Radio Festival (August 2019)

On 13 August 2019, the recording of the world premier of David Philip Hefti’s flute concerto Media nox – Music for the third nocturnal vigil will be broadcast at the ARD Radio Festival. The world premier took place on 3 April 2019 at the Heidelbergre Frühling Festival and was performed by the Deutsche Radiophilharmonie under Jamie Phillips and  withTatjana Ruhland as soloist.

David Philip Hefti about Media nox:
„The harmonies of this work are primarily quarter-tone, and explore the sounds of twilight, the night, spheres, dreams, sleeplessness and hallucinations. They create sound-surfaces alternately static, animated and iridescent that are the central idea of the work; these are then repeatedly roughened up by the rhythmic and melodic threads woven by the solo flute. This microtonal music is what I repeatedly here in the twilight state between sleep and sleeplessness.“

You can find more information on the broadcast here.