Kent Nagano appointed Principal Artistic Partner of the Filarmonica Toscanini (April 2025)

Filarmonica Toscanini is thrilled to announce a new artistic partnership with Maestro Kent Nagano, who will take on the role of Principal Artistic Partner starting in the 2025/2026 season. This initial three-year agreement marks the beginning of an exciting journey alongside one of the most esteemed conductors on the
global stage.

Kent Nagano, a Key Figure in the International Music World
Kent Nagano is internationally renowned for the depth of his interpretations and his ability to blend tradition with innovation. Currently serving as General Music Director of the Hamburg State Opera and Principal Conductor of the Philharmonisches Staatsorchester Hamburg, he will conclude his tenure at both institutions at the end of the 2024/2025 season. His final year in Hamburg will feature several landmark projects, including the world premiere of Unsuk Chin’s opera Die dunkle Seite des Mondes.

From season 2026/2027, he will also assume the role of Artistic and Music Director of the Orquesta y Coro Nacionales de España.

Simultaneously, Nagano is spearheading an ambitious initiative dedicated to historically informed performances of Wagner’s Ring, The Wagner Cycles: a project of the Dresdner Musikfestspiele. Launched in 2023 and set to culminate in 2026, this project coincides with the 150th anniversary of the cycle’s first complete performance. Together with Jan Vogler, Kent Nagano is the artistic director of the Wagner Cycles, and oversees the Ring
being meticulously musicologically reexamined, rehearsed, and performed on historical instruments over several years, with the aim of recapturing Wagner’s original sonic vision through the latest research in historical performance practice, instrumental and vocal.

An Instant Artistic Connection
Managing and Artistic Director of Filarmonica Toscanini, Ruben Jais, expressed his enthusiasm for this new artistic alliance: “One concert last summer was enough to forge a special connection between Maestro Nagano and our orchestra. We immediately recognized a profound artistic synergy, inspiring us to envision a shared artistic journey. For Maestro Nagano, we have chosen a title that could describe the essence of this collaboration: dynamic, flexible, and forward-looking. Together, we are confident in our ability to explore new artistic horizons and further elevate Filarmonica Toscanini’s presence on the international music scene.”

Maestro Kent Nagano added: “Although the orchestra and I have only met once, it was a strong partnership, I would say, from the very first minute. They bring a spirit and enthusiasm, a freshness and remarkable quality to how they think and how they make music. Somehow, the value system between us seemed to align right from the beginning. That’s why I’m very much looking forward to this collaboration starting next season.”

Highlights of the 2025/2026 Season
During the 2025/2026 season, Maestro Nagano will lead Filarmonica Toscanini in three major projects in Parma:
· November: The collaboration begins with concerts featuring the celebrated pianist
Maria João Pires.
· February: A performance of Mahler’s Second Symphony, one of the most extraordinary
masterpieces in the symphonic repertoire.
· May: A program showcasing Aziza Sadikova’s Violin Concerto and Stravinsky’s The
Rite of Spring, in an enterprising collaboration with the Orchestra Haydn of Trento and
Bolzano.

With Kent Nagano’s arrival, Filarmonica Toscanini embarks on a new chapter of artistic excellence, reaffirming its status as a leading force in the regional, national, and international music scene.

Omer Meir Wellber – new season at the Hamburg State Opera 2025/26 (March 2025)

Yesterday, Omer Meir Wellber, General Music Director Designate of the Hamburg State Opera and the Hamburg Philharmonic State Orchestra, Tobias Kratzer, Artistic Director Designate of the Hamburg State Opera and Demis Volpi, Artistic Director of the Hamburg Ballet, presented the Hamburg State Opera’s program for the 2025/26 season.

Please find the new program brochure, which for the first time presents the entire program of the house in one, here and the microsite of the Hamburg State Opera under the following link: die-hamburgische-staatsoper.de/vorschau

Happy reading and exploring!

Press Release of the Ministry of Culture and Media Hamburg: An Outstanding Opera House for Hamburg (February 2025)

A new world-class opera house is set to be built at Baakenhöft in HafenCity. The plan envisions an architecturally outstanding building that will provide the best possible conditions for the Hamburg State Opera while making this special location on the Elbe accessible to everyone. According to the agreement, the city will provide and develop the site, while the Kühne Foundation will finance the construction of the opera house. Once completed, ownership of the building will be transferred to the city, and the Hamburg State Opera will move into the new venue. The historic and listed opera building on Dammtorstraße will then be repurposed for other cultural uses.

The Hamburg State Opera has a history spanning centuries. The new opera house in HafenCity aims to continue this tradition, offering the State Opera, Hamburg Ballet, and the Philharmonic State Orchestra a new home of outstanding quality and international appeal. At the same time, the Baakenhöft area will be developed into an open space accessible to all.

 

At the initiative of arts patron Klaus-Michael Kühne, the Senate, the Hamburg State Opera, and the Kühne Foundation have been in close discussions for several months regarding the construction of a new opera house. The goal is to create an architecturally outstanding building that will benefit the entire city at this prime location. The Senate has selected Baakenhöft as the new site, with the intention of making it a welcoming space for all.

To plan and construct the opera house, the foundation has established a project company in which the city and the State Opera will hold minority stakes. Based on an initial theatrical planning phase, an architectural qualification process will first be conducted. After completion of the preliminary planning and cost estimation, the Kühne Foundation will make the final decision on whether to proceed with the opera house’s construction. The city is committed to providing and preparing the Baakenhöft site for the new building and will cover location-specific additional costs, such as foundation work and flood protection, capped at €147.5 million. Once completed and approved, the opera house will be donated to the city. The operation of the Hamburg State Opera will remain the responsibility of the city.

The listed opera house on Dammtorstraße will be preserved in any case and continue to be used for cultural purposes. If the new opera house is not built, the existing building will require extensive renovation and modernization to ensure that it can continue to host contemporary opera performances in the future.

 

Dr. Peter Tschentscher, First Mayor of Hamburg:
“Music and culture in Hamburg have always been closely linked to civic engagement and patronage. These foundations were laid 350 years ago with the establishment of the Hamburg State Opera, which is now one of the most popular and renowned opera houses in Germany. A world-class opera house on the Elbe will provide the State Opera, Hamburg Ballet, and Philharmonic State Orchestra with a new venue that offers the best conditions for artists. At the same time, a new opera house will enhance the Baakenhöft area with its prime waterfront location and open it up for all Hamburg residents. Together with the Kühne Foundation, we want to seize this opportunity to strengthen Hamburg’s cultural scene and its international reputation. I sincerely thank Klaus-Michael Kühne and his foundation for this extraordinary commitment.”

 

Dr. Carsten Brosda, Senator for Culture and Media:
“Opera has a long tradition in Hamburg and is one of the city’s cultural pillars. The Kühne Foundation’s donation presents a unique opportunity to create an outstanding new opera house that meets the highest international standards while also serving as a cultural space for all, thanks to its location and architecture. We want to seize this opportunity to further solidify Hamburg’s place on the international cultural map. This will be a place for exceptional art that welcomes everyone! We now have the chance to continue the tradition of the civic opera and write the next chapter in Hamburg’s operatic history. This also includes ensuring that the historic site on Dammtorstraße remains a cultural venue.”

 

Klaus-Michael Kühne, President of the Kühne Foundation Board of Trustees:
“Hamburg, as an open, international, and culturally leading city, would be incomplete without an opera house of the highest international standing. I am therefore delighted to be able to realize such an ambitious project together with the City of Hamburg. Through my Kühne Foundation, I want to create a special place in HafenCity for all Hamburg residents, where the Elbe and its harbor, the city, and its culture can be experienced in equal measure.”

 

Dr. Jörg Dräger, Managing Director of the Kühne Foundation Board of Trustees:
“Building a new opera house is an extremely ambitious project. After intensive negotiations with the city, we are excited to move forward. The new venue will not only be a place for tens of thousands of opera and ballet enthusiasts but also invite residents and visitors alike to enjoy a spacious waterfront park.”

The Hamburg Parliament still needs to approve the agreement between the city and the Kühne Foundation. The contract will be published shortly on the Transparency Portal. Further information is available at www.hamburg.de/oper.

 

Media Inquiries

Ministry of Culture and Media
Enno Isermann | Press Spokesperson
Phone: +49 40 42824 207
Email: enno.isermann@bkm.hamburg.de
Website: www.hamburg.de/bkm
Instagram: @bkm_hh

 

Kühne Foundation
Dominique Nadelhofer | Press Spokesperson
Phone: +41 79 128 03 27
Email: dominique.nadelhofer@kuehne-foundation.org
Website: www.kuehne-stiftung.org

(Translated with DeepL.com)

Midori’s tour with the Orchestre de la Suisse Romande (February 2025)

Violinist and UN Messenger of Peace Midori is known for her global humanitarian work: At the end of 2024, Midori‘s foundation work took her to Nepal, where she was guest with her organization ICEP (International Community Engagement Program) with three young musicians. 2025 begins for Midori in Europe in February with a tour of Spain with the Orchestre de la Suisse Romande – after two send-off concerts in Geneva, the tour takes them to Madrid, Zaragoza, Barcelona, Las Palmas and Tenerife where Midori will present Sibelius’ Violin Concerto.

Further highlights in spring 2025 include duo recitals with pianist Özgür Aydin in North America in March, followed by Midori playing Detlev Glanert’s 2nd Violin Concerto To the Immortal Beloved in April, first in Nürnberg with the Staatsphilharmonie Nürnberg and then on a tour of Germany with the Bundesjugendorchester at Osterfestspiele Baden-Baden, Cologne, and Berlin, among others.

Further duo performances with Özgür Aydin in Rotterdam, Pamplona and Bilbao will follow later in the year in May, as well as a guest performance with the Deutsche Sinfonie-Orchester with Dvořák’s Violin Concerto in June at the Berlin Philharmonie.

midori-violin.com

Pittsburgh Symphony Orchestra Recognized at Grammy Awards (February 2025)

The Grammy for ‘Best Engineered Album, Classical’ went to engineers Mark Donahue and John Newton for their recording of Bruckner’s Seventh Symphony and Mason Bates’s Resurrexit, performed by Pittsburgh Symphony Orchestra under Manfred Honeck (Reference Recordings, 2024). The Grammy Awards took place on February 3, 2025.

Kent Nagano conducts premiere of Ariadne auf Naxos in Hamburg (January 2025)

All of three premieres take place under the baton of Kent Nagano in his last season at the Hamburg State Opera: the premiere of Strauss’ Ariadne auf Naxos in a production by Dmitri Tcherniakov, with whom Kent Nagano has already worked several times, and two commissions in May 2025: Unsuk Chin’s new opera The Dark Side of the Moon and Rodolphe Bruneau-Boulmier’s The Illusions of William Mallory.

In 2025, another highlight is the extensive project of Dresdner Musikfestspiele The Wagner Cycles, of which Kent Nagano is Artistic Director alongside Jan Vogler. After Richard Wagner’s Walküre in 2024, the next work of the opera tetralogy Siegfried will be performed historically informed and in concert performance in several international concert halls in 2025.

kentnagano.com

Max Volbers’ concert in February (January 2025)

In fall 2024, Max Volbers released his new album “Foreign Masters” with harpsichordist Alexander von Heißen on Berlin Classics. Max Volbers appeared on ZDF TV morning show with his new album – you can watch his performance with von Heißen here. At the beginning of January 2025, the album was nominated for the German Record Critics’ Award in the Early Music category. In 2023, Max Volber’s debut CD “Whispers of Tradition” was awarded the OPUS KLASSIK 2023 in the category Young Artist of the Year.

“Foreign Masters is a kaleidoscope of music by composers who came to London from abroad or whose music was enthusiastically played there. Immigration back then gave rise to an incredibly diverse musical heritage. London was a cultural capital of Europe whose extraordinary musical life would have been unthinkable without the artists from abroad and their lively exchange,” says Max Volbers about “Foreign Masters”.

Volbers and von Heißen presented the program of the CD in December in the Essen Philharmonie and on New Year’s Day in Weikersheim. Max Volbers’ concert on Christmas Day with Concerto Köln at Cologne Philharmonie was also a big success. Other highlights in 2024 were Max Volbers’ concerts with Il Pomo d’Oro in Antwerp and La Chaux-de-Fonds. In February 2025, he will play a concert with the Hamburg Camerata at the Laeiszhalle in Hamburg and with the Kore Orchestra in Warsaw.

maxvolbers.de

Jan Vogler’s Bach suites are all the rage – live in concert halls and online in Instagram reels

From baroque to Instagram vlogs: Johann Sebastian Bach‘s suites for solo cello are not only a hit in classical concert halls. Jan Vogler‘s recording of the prélude of Bach’s first suite for cello in G major has been used over 360,000 times (status 13.01.2025) by users for their reels on Instagram – making it currently by far the most successful Bach recording on the social media channel.

The topics and types of content that are combined with Bach’s famous composition in the digital world are as diverse as the 360,000 Instagram channels themselves. Whether in Asia, Europe or America, there are virtually no limits to its creative use. Bach’s music prevails and works as background music for content about designer fashion, babies, vacation vlogs, tutorials or animals, proving how timeless his music still is today.

Bach’s music is simple and complicated at the same time. It is so brilliantly composed that you get the impression that it clears your head and makes everything easy – so it gets you through your everyday life and conveys emotions, and yet it is incredibly ingeniously constructed. This combination is unique in the history of music,” says cellist Jan Vogler about the six cello suites by Johann Sebastian Bach.

The six cello suites are considered the supreme discipline for all cellists. Jan Vogler has spent his career intensively exploring the work and influence of Johann Sebastian Bach, recording and rediscovering the suites for SONY Classical in 2013 based on the manuscript by Bach’s wife Anna Magdalena and presenting them several times on the world’s major stages, including such prominent duo partners as US poet Amanda Gorman and Hollywood actor Bill Murray. In the Bach Year 2025, Jan Vogler will now bring all six suites to the stage in Germany and present them at the Elbphilharmonie Hamburg (March 8) and the Philharmonie Berlin (April 26).

March 4, 2025 Schloss Elmau, 5 pm (Suite 1-3)

March 6, 2025 Schloss Elmau, 5 pm (Suite 4-6)

March 8, 2025 Elbphilharmonie Hamburg, Großer Saal, 11 am (Suite 1-6)

April 26, 2025 Philharmonie Berlin, Kammermusiksaal, 7 pm (Suite 1-6)

www.janvogler.com

For a higher resolution of the image material, please contact office@pr2classic.de.

Mari Kodama (January 2025)

At the end of 2024, Mari Kodama released a nuanced Bruckner portrait with rarely recorded piano works on Pentatone which has received a great amount of international attention (Mari Kodama’s discography).

Mari Kodama‘s season 2024/25 included an opening concert with Le Cercle de l’Harmonie in Paris (Jérémie Rhorer) with Beethoven’s Piano Concerto No. 1 on the fortepiano as well as concerts with the Würth Philharmonic Orchestra (with Veronika Eberle and Jan Vogler under the direction of Kent Nagano) and the Filarmonica de Stat Transilvania (Larry Forster). Mari Kodama also gave a duo recital with Julian Prégardien and in June 2025 she will return to the Konzerthaus Blaibach to continue her series with all 32 Beethoven piano sonatas and new works by Rodolphe Bruneau-Boulmier.

marikodama.com

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