New recording with Omer Meir Wellber (October 2024)

On 4 October, a new recording with Omer Meir Wellber conducting the Swedish Radio Symphony Orchestra and pianist Jonathan Biss will be released by Orchid Classic. The recording combines Beethoven’s Piano Concerto No. 1 with Sally Beamish’s “City Stanzas”, which was inspired by Beethoven’s piano concerto but also by Jonathan Biss’ virtuoso playing.

Further information on the recording as well as texts by Jonathan Biss and Sally Beamish on the pieces can be found at Orchid Classics.

Composer Sally Beamish and conductor Omer Meir Wellber already know each other from the BBC video conversation series The Music Room, which was created by Wellber in 2020 and focused on Beethoven’s nine symphonies. All episodes can be watched here.

New CD by Max Volbers: Foreign Masters on Berlin Classics (September 2024)

“The album ‘Foreign Masters’ by recorder player Max Volbers and harpsichordist Alexander von Heißen could also be compared to an exciting historical novel. The story takes place in bustling 18th century London. Even then, it was one of the largest cities in the world, a centre of trade, a place of nobility and the rich, but also of the hard-working and underpaid population. People from many up-and-coming industrialised nations come together in London and a wide variety of languages are spoken on the streets. At the same time, London is also the cultural capital of Europe with a rich and lively music scene. In the evenings, people come together at the opera, in the concert halls, but also in the many private salons and theatres. You can hear new music by George Frideric Handel, Arcangelo Corelli, Alessandro Scarlatti and Giuseppe Matteo Alberti. These cultural highlights were widely reported in the first daily newspapers of the time, which did not go unnoticed abroad and attracted even more musicians and composers to London. For this is the story of the foreign masters. London was then, as it is today, a melting pot of the European cultural scene. Anyone who thought highly of themselves, or who – to put it bluntly: wanted to earn money – went to London and presented their music there.READ MORE

New CD by Mari Kodama: Bruckner piano works (September 2024)

Pianist Mari Kodama is releasing a new CD on PENTATONE with a collection of Bruckner’s rarely heard piano works for the Bruckner bicentenary. With this recording, Mari Kodama succeeds in drawing a nuanced portrait of Bruckner, which gains depth through the original selection and perspective of the pieces.

The pre-order link or link to the release on Apple Music can be found here.

Mari Kodama is one of the most extraordinary pianists of our time and has an impressive PENTATONE discography to her name: Beethoven’s complete piano sonatas (2003-2014), piano concertos by Loewe and Chopin (2003), Tchaikovsky’s ballet suites for piano duet (2016), De Falla’s Nights in the Gardens of Spain (2017), Martinů’s Concerto for Two Pianos (2018), Kaleidoscope: Beethoven Transcriptions and MON AMI Mon amour (both 2020), New Paths (2022) and piano concertos by Mozart and Poulenc (2024).

marikodama.com

David Philip Hefti at the Konzerthaus Berlin (September 2024)

On September 30, 2024, the Amaryllis Quartet will perform David Philip Hefti’s seventh string quartet “Ans Ende der Zeit” at the Konzerthaus Berlin. The work will be performed at the invitation of Christian Jost in his concert format “2xhören”. Following the performance, Christian Jost will hold a discussion with the musicians and composer David Philip Hefti before the piece is performed. “Be surprised how much your ears have opened up when the piece is heard for the second time!” is the slogan of this innovative concert series.

David Philip Hefti’s seventh string quartet “Ans Ende der Zeit” was commissioned by Graz Opera for the in-house ballet company. The premiere with the Graz Opera Ballet in a choreography by ballet director Beate Vollack and with the PhilQuartet of the Graz Philharmonic took place in May 2023. Since then, the work has been performed several times in concert.

David Philip Hefti has a long-standing collaboration with the Amaryllis Quartet, during which most of his compositions have been performed for this ensemble.

You can find all information here: https://www.konzerthaus.de/de/programm/2-x-horen/10297

Erwin Schrott & PR² classic (September 2024)

We are delighted to announce that the renowned opera singer Erwin Schrott will be partnering with the PR agency PR² classic starting September 2, 2024. This exciting collaboration will enable us to present Erwin Schrott’s exceptional talents and projects in innovative ways, infused with fresh energy. We are enthusiastic about this partnership and look forward to many successful ventures together in the future.

Stay tuned for more updates!

erwinschrott.com

The Dresdner Musikfestspiele bring their new Wagner Sound to the Lucerne Festival (August 2024)

The Dresdner Musikfestspiele opens a new chapter in Wagner interpretation history with its »The Wagner Cycles« project. At the invitation of the Lucerne Festival, Richard Wagner’s »Die Walküre« will be performed in a historically informed concert version with the Dresdner Festspielorchester and Concerto Köln under the baton of Kent Nagano at the KKL Lucerne on August 21, 2024.
After the celebrated performance of »Das Rheingold« last year, the audience can once again revel in the clear, transparent and textually intelligible Wagner sound of the 19th century when »Die Walküre« is presented: an experience promising inspiring musical discoveries.

»Since Nikolaus Harnoncourt’s spectacular Monteverdi interpretations in the 1970s, we have been living with the words original sound and performance practice. The Dresden Ring gives these terms a new lease of life. Our Wagner sound is warm, transparent and enormously colorful, it not only promotes text comprehensibility, it builds a magical bridge to a new Wagner reception that opens up the work of the much-discussed composer to us anew,« says Jan Vogler, Artistic Director of the Dresdner Musikfestspiele.

The performance is part of the project »The Wagner Cycles«, initiated in Dresden in 2023 to bring together musical practice and academic research for a novel sound experience in the city that was Wagner’s home for many years. Featuring historical instruments and the vocal and declamatory style of the Wagner era, this research-based performance reveals unknown or long-forgotten facets of the music.
The goal is to work with a team of international academics to perform one part of the »Ring« every year, in keeping with the principles of historically informed performance practice, in Dresden and worldwide. The guest appearance in Lucerne marks the final touring stop of »Die Walküre« this year, after concerts in Prague, Amsterdam, Cologne, Hamburg and Dresden.

The project »The Wagner Cycles« is supported by the Commissioner for Culture and the Media (BKM) of the Federal Republic of Germany as well as the Free State of Saxony.

The Dresdner Musikfestspiele was founded by the City of Dresden in 1978; since the beginning of the cellist Jan Vogler’s tenure as Artistic Director in 2009, it has developed into one of the leading festivals in Europe. In addition to performances by the world’s major orchestras, internationally celebrated soloists and musicians from the jazz, world music, crossover and rock scenes, it also hosts performances by stars such as Hollywood’s Bill Murray and the blues legend Eric Clapton.

The 48th Dresdner Musikfestspiele will take place from May 18 to June 14, 2025.


Cast »Walküre« in Lucerne:


Wotan
Simon Bailey
Siegmund
Maximillian Schmitt
Sieglinde
Sarah Wegener
Brünnhilde
Åsa Jäger
Hunding
Patrick Zielke
Fricka
Claude Eichenberger
Helmwige
Natalie Karl
Gerhilde
Chelsea Zurflüh
Ortlinde
Ania Vegry
Waltraute
Ulrike Malotta
Siegrune
Ida Aldrian
Roßweiße
Marie-Luise Dreßen
Grimgerde
Eva Vogel
Schwertleite
Jasmin Etmina

Dresdner Festspielorchester
and Concerto Köln
Conductor: Kent Nagano

Kent Nagano opens the new season of the Hamburg State Opera (August 2024)

Conductor Kent Nagano’s open air concert marks the start of the the season in Hamburg on August 31 in Hamburg with an eclectic program: Orff’s Camina Burana, Debussy and Arvo Pärt.

In September, the Academy Concerts initiated by Kent Nagano will take place from September 6-15 and the first premiere of 2024/25 at the Hamburg State Opera, Carl Orff’s trilogy “Trionfi”, will be conducted by Kent Nagano on September 21.

The first Philharmonic Concerts under his direction will begin at the Elbphilharmonie on September 29 and 30.

 

staatsoper-hamburg.de

Omer Meir Wellber at Schleswig-Holstein Music Festival (August 2024)

Conductor Omer Meir Wellber and pianist Guy Mintus will present a special program at Schleswig-Holstein Music Festival:

On 26 August at  Reithalle Elmshorn and on 27 August at Christkirche Rendsburg, they will play a program with the Vienna Volksoper Symphony Orchestra that interweaves Mendelssohn’s Italian Symphony with improvisations on Venetian and Neapolitan folk songs. You’re in for a surprise!

The concert in Rendsburg on 27 August will be recorded by NDR and broadcast on NDR Kultur on 13 October 2024 at 21:30.

Omer Meir Wellber was the SHMF’s portrait artist in 2022 with 14 very different concerts in terms of form and line-up.

August 26,           Schleswig-Holstein Music Festival, Elmshorn Reithalle
Symphony Orchestra of the Vienna Volksoper
Felix Mendelssohn: Symphony No. 4 in A major, op. 90 ‘Italian’ with improvisations on Venetian and Neapolitan folk songs
Guy Mintus – piano
Omer Meir Wellber – accordion and conductor

August 27,          Schleswig-Holstein Music Festival, Rendsburg Christkirche
see program August 26

shmf.de

 

Max Volbers: Second Single Release of “Foreign Masters” (August 2024)

Recorder player Max Volbers released at the end of July his second single from his new album “Foreign Masters”: Barsanti: The lass of Peatie’s Mill,
recorded by Max Volbers (recorder) and Alexander von Heißen (harpsichord) is available on all digital music platforms.

The album “Foreign Masters” will be released in September on Berlin Classics.

Link to all released singles

Francesco Barsanti came to London as a young man in 1714 and travelled on to Scotland in 1735. There he fell in love with both a Scottish woman and with the Scottish tunes. Inspired by this, he published a whole ‘Collection of Old Scots Tunes’, adding his own basso continuo to the melodic lines. “The lass of Patie’s mill” is a beautiful, simple tune and was incredibly popular. Unfortunately, the original lyrics have not survived. – Max Volbers

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