Max Volbers’ new Album “Bach vs. Scheibe“ (September 2025)

On September 5, Berlin Classics released Max Volbers’ latest album, “Bach vs. Scheibe,” featuring Concerto Köln and soprano Marie-Sophie Pollak, for which he is the artistic director.

In the album, the orchestra takes up a dispute that started in 1737 between Danish music critic Johann Adolf Scheibe and none other than Johann Sebastian Bach. In his magazine “Der Critische Musicus,” Scheibe called Bach’s compositions “confused and pompous.” Bach’s response was not long in coming, and so a dispute ensued that lasted for years.

Thus, this album not only contains the music of two contemporaries, but also shows the transition from the High Baroque to the Classical period and is an expression of an aesthetic generational conflict.

Kent Nagano conducts Wagner’s “Siegfried” as the third opera in “The Wagner Cycles” at the Lucerne Festival (September 2025)

On September 12, Kent Nagano presents Richard Wagner’s “Siegfried” together with the Dresden Festival Orchestra and Concerto Köln as part of “The Wagner Cycles” project.

What began in 2023 with a concert performance of “Rheingold,” continued in 2024 with “Die Walküre,” and now goes on with the development of “Siegfried,” can be considered a benchmark for Wagner interpretation. The Wagner Cycles project is dedicated to Richard Wagner’s monumental opera tetralogy in a unique combination of theoretical and practical approaches.

New Transatlantic Music Project “Beyond the Atlantic” (September 2025)

The project Beyond the Atlantic, launched under the auspices of the Goethe-Institut Boston, aims to revitalize cultural dialogue between Europe and the United States in the field of contemporary concert music. The series brings together members of the Berlin Philharmonic and the Ecce Ensemble for discussions, workshops, and concerts focusing on aesthetic, political, and ecological issues. (beyondtheatlantic.org)

Swiss composer and conductor David Philip Hefti is one of the project’s co-founders and will take the podium at the closing concert on October 24, 2025 in Boston, by invitation of the Goethe-Institut. Performing under his direction will be members of the Berlin Philharmonic and the Ecce Ensemble. The program features the world premiere of Hefti’s new work Beyond Ashes alongside compositions by John Aylward, Martin Brody, Yu-Hui Chang, Isabel Mundry, and Karlheinz Stockhausen.

Beyond Ashes adopts the instrumentation of Schubert’s famous Trout Quintet—violin, viola, cello, double bass, and piano—yet Schubert’s music remains only as a distant echo. The piece unfolds from quiet, floating textures through an eruptive central section and ultimately into a final song-like farewell that dissolves into silence. Its title points beyond a purely narrative meaning: Beyond Ashes suggests not simply what follows destruction, but a transcendental space—an “elsewhere” beyond ashes and transience. With its combination of international collaboration, artistic depth, and new creation, Beyond the Atlantic promises to be an exciting contribution to today’s classical music scene—demonstrating how bridges between continents can be newly forged through music.

Omer Meir Wellber takes up his role as the new General Music Director in Hamburg (September 2025)

Hamburg’s new General Music Director, Omer Meir Wellber, begins his 5-year tenure this coming Sunday, opening the 25/26 operatic and symphonic season with the first Philharmonic Concert of the Philharmonic State Orchestra on 14 and 15 September at the Elbphilharmonie. The season’s programmes focus on a very special kind of dialogue between the present and the past under the motto “no risk, no fun”.

 

Pianist Stephen Hough will play Beethoven’s Third Piano Concerto – with a newly composed second movement by Hough himself  – followed by Bruckner’s 7th symphony. This unusual idea of “over-writing” single movements will be repeated in all concerts this season by international composers – have a look here at the concert programmes this season.

 

You can listen to the concert from 15 September on NDR Kultur.

Two weeks later, the Hamburg State Opera’s opening weekend takes place featuring the Housewarming Concert (26 September) and the new staged production of Schumann’s Das Paradies und die Peri (September 27), conducted by Omer Meir Wellber and directed by Tobias Kratzer.


Upcoming concerts with Omer Meir Wellber in Hamburg:
14, 15 September     Hamburg, Elbphilharmonie
Beethoven: Klavierkonzert Nr.3 c-Moll op. 37
Stephen Hough: 2. Satz Beethoven Klavierkonzert
Anton Bruckner: Sinfonie Nr. 7 E-Dur
Stephen Hough, piano

27 September     Hamburg, Staatsoper                    premiere

Schumann: Das Paradies und die Peri
Further performances on 30.09., 3., 11., 14., 24.10., 1.11.

5 October    Hamburg, Staatsoper
Strauss: Salome
Weitere Aufführungen am 7., 9., 12.10.
10, 30 October     Hamburg, Staatsoper’
Mozart: Così fan tutte

8 October     Blaue Woche, Hamburg

Boulez, Marteau sans maitre
Lotte Betts-Dean, Mezzosopran

12, 13 October     Hamburg, Elbphilharmonie
Vivaldi/Piazzolla: The mandolin seasons
Respighi: Metamorphosen

Jacob Reuven, mandolin

Midori with Christoph Eschenbach at the Elbphilharmonie (August 2025)

International violin star Midori will perform Mendelssohn’s Violin Concerto with the SHMF Festival Orchestra conducted by Christoph Eschenbach on August 17 in Sonderburg, Denmark, and on August 18 at the Elbphilharmonie in Hamburg.
Midori made her debut at the SHMF in 1986 at the age of 14 with three sonata recitals and has since thrilled audiences in almost 30 concerts at the festival. Her long-standing musical friendship with conductor Christoph Eschenbach, who celebrated his 85th birthday this year, lends a special quality to the two upcoming concerts.

 

More information on shmf.de

 

17. August    Sonderburg, Konzertsalen Alison, SHMF
18. August    Hamburg, Elbphilharmonie, SHMF
SHMF Festivalorchester, Christoph Eschenbach/Conductor
Mendelssohn: Violinkonzert

Kent Nagano and Jan Vogler present Sean Shepherd’s world premiere recordings on CAvi-music (August 2025)

On 22 August 2025, CAvi-music, Deutsche Grammophon’s partner label, will release two world premiere recordings by American composer Sean Shepherd, with Kent Nagano and Jan Vogler in leading roles. The focus is on the oratorio “An einem klaren Tag – On a Clear Day”, a commissioned composition by the Dresdner Musikfestspiele and the Hamburg Philharmonic State Orchestra. The work addresses the challenges facing future generations and combines this with a message of respect and charity. The recording is a live recording from the Dresdner Musikfestspiele on 5 May 2023.

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Pittsburgh Symphony Orchestra and Manfred Honeck – new recording on Reference recordings (August 2025)

Reference Recordings® proudly presents the beloved Requiem of Wolfgang Amadeus Mozart, in a very special interpretation. Academy Award and Golden-Globe-winning film and Broadway star F. Murray Abraham joins Manfred Honeck and the Pittsburgh Symphony Orchestra for Honeck’s dramatic conception of “Requiem: Mozart’s Death in Words and Music.” Over a decade ago, Honeck contemporized Mozart’s epic masterpiece by incorporating text into the score. F. Murray Abraham, Manfred Honeck, and the Orchestra previously performed “Requiem: Mozart’s Death in Words and Music” at Heinz Hall in 2012 and at Carnegie Hall in 2014.

More information here.

 

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Max Volbers – new single (July 2025)

On July 11, the single “Jauchzet Gott in allen Landen” by Concerto Köln with Marie-Sophie Pollak, conducted by Max Volbers, was released as one track of a new CD by Berlin Classics .

This aria from the cantata of the same name (BWV 51) is one of Bach’s best-known and most ambitious pieces for soprano. Even more magnificent than the original—in which a solo trumpet accompanies the soprano—is the acoustic setting that Bach’s eldest son, Wilhelm Friedemann, later created: the music is enriched by a second trumpet and timpani.

On this new recording, which Max Volbers initiated under his artistic direction, together with Concerto Köln and Marie-Sophie Pollak, the musical dispute is depicted between Johann Sebastian Bach and Johann Adolf Scheibe, which began with a publication by the German-Danish composer and music critic Scheibe in 1736 in the magazine “Der critische Musicus”. Here he describes Bach’s music as “confused” and “bombastic,” to Bach’s displeasure. Bach’s response, with the help of his friend Johann Abraham Birnbaum, was not long in coming – and so a dispute ensued that lasted for years.

Concerto Köln, Marie-Sophie Pollak, and Max Volbers approach this debate by juxtaposing individual works by the two composers as musical arguments in this musical debate.

And so the album illustrates much more than simply the music of two contemporaries. It deals with the aesthetic generational conflict of that time and thus addresses the transition from High Baroque to Classical music.

Kent Nagano conducts Mozart, Beethoven, Brahms and Widmann (July 2025)

To round off the season, Kent Nagano and the Philharmonic State Orchestra are going on tour once again: together they are giving eight concerts in China and Taiwan. The Asian tour, which is also the Philharmonic State Orchestra’s debut in China, starts on July 7 with a concert in the Jaguar Shanghai Symphony Hall in Hamburg’s twin city Shanghai. The tour continues via the National Center for the Performing Arts Beijing and Shenzhen Symphony Hall. In Taiwan, further concerts are planned at the National Theater and Concert Hall Taipei. The last stop will be the National Kaohsiung Center for the Arts Weiwuying on July 19.
The program includes symphonies by Beethoven and Brahms, piano concertos by Mozart and Beethoven as well as music by Jörg Widmann. The celebrated pianists Rafał Blechacz and Jan Lisiecki will perform as soloists.

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